nspired by a visit to Scotland Yard's Black Museum in London,
England, Cleveland Police Detective Robert Bolton convinced Chief
William Hanton that Cleveland should have its own police
museum. Subsequently, Detective Bolton, Chief Hanton, Deputy
Chief Lloyd Patterson, and Deputy Chief Richard Kazmir incorporated
The Cleveland Police Historical Society in May 1983 as a 501 (C)
(3) non-profit organization. The first officers of the
society included Detective Bolton as President, along with
Lieutenant Aloysuis J. Jezior, and Directors Lieutenant Howard
Rudolph and Traffic Commissioner Thomas Baginski.
The Cleveland Police Museum, which opened in June of that year
with Florence E. Schwein as its director, originally consisted of
1200 sq. ft. of space on the first floor of Police Headquarters in
the Justice Center. The museum featured exhibits that
documented the history of the Cleveland Division of Police from its
inception in 1866. In the first seven months 3,000 visitors
toured the museum. By the end of 1984, the museum's guest
book recorded not only local visitors but many from across the
united States (including Alaska and Hawaii), and Canada; but
Mexico, England, Bolivia, Argentina, Japan, Ireland, France,
Australia, Palestine, Brazil, The Netherlands, Italy, and Austria,
as well.
Over the years, the CPHS has welcomed visitors of all ages,
gender, and heritage. Scholars and researchers, ranging from
local and out-of-state schoolchildren to PhDs, requesting
information from the CPHS form an equally diverse group. The
CPHS established a Website and e-mail service in 1999, which has
resulted in contacts from local areas as well as many from the
United States including Pennsylvania, Maryland, Texas,
Massachusetts, California, Kentucky, New York, Wisconsin, Indiana,
Arkansas, and Louisiana. In addition, The CPHS has responded
to electronic inquires from people in Canada, Serbia, England,
Germany, Argentina, The Netherlands, Indonesia, and Malaysia.
Cleveland's police museum continues to be one of the few law
enforcement museums open to the public in the United States, and
has influenced police departments in other communities to create
collections that relate to their own histories. The CPHS is
unusual among similar organizations in that it works in cooperation
with, but does not come under the control of the Cleveland Division
of Police. Financial support comes from membership dues,
donations, and grants from various government agencies and private
organizations. The CPHS receives no tax funds from the City
of Cleveland, State of Ohio, or the Federal Government.
In its twenty years of operation, The Cleveland Police Museum
has grown from that initial sparse 1,200 sq. ft. to nearly 4,000
sq. ft. of exhibits, offices, and storage.
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